The Circus Band
The Circus Band (Choral Part). By Charles Ives (1874-1954). For Choral (SSATTB). Peermusic Classical. Softcover. 4 pages. Peermusic #60192-189. Verlag PeermusicMusiknoten, sheet music Charles Ives, → The Circus Band
Psalm 24
Psalm 24 (For S.A.T.B. Chorus, A Cappella). By Charles Ives (1874-1954). SATB chorus. For SATB, Piano Rehearsal. Choral. Choral part(s). Standard notation. 9 pages. Verlag Theodore Presser CompanySATB, Piano Rehearsal, choral part(s), choral Charles Ives, → Psalm 24
Psalm 135
Psalm 135 (Anthem-Processional – for S.S.A.A.T.T.B.B., Trumpet, Trombone, Organ, Tymp.). By Charles Ives (1874-1954). Edited by John Kirkpatrick. SATB chorus. For Ssaattbb Chorus, Trumpet in C, Tenor, Tenor Drum, Bass Drum, Organ. Piano reduction/vocal score. StandSsaattbb Chorus, Trumpet in C, Tenor, Tenor Drum, Bass Drum, Organ, piano reduction/vocal score Charles Ives, → Psalm 135
They Are There!
They Are There! (Unison Chorus with Piano Reduction). By Charles Ives (1874-1954). For Choral (UNIS). Peermusic Classical. Softcover. 8 pages. Peermusic #61421-174. Verlag PeermusicMusiknoten, sheet music Charles Ives, → They Are There!
Crossing The Bar Solo Qt/Mxd Choir/Organ
Crossing The Bar Solo Qt/Mxd Choir/Organ By Charles Ives (1874-1954). For Choral. Choral. 12 pages. Associated Music Publishers, Inc #A702. Verlag Associated Music Publishers, IncMusiknoten, sheet music Charles Ives, → Crossing The Bar Solo Qt/Mxd Choir/Organ
A Christmas Carol
A Christmas Carol (For S.A.T.B. Chorus, A Cappella, or with Keyboard Accompaniment). By Charles Ives (1874-1954). Arranged by Paul C. Echols. SATB chorus. For SATB a cappella (or with piano accompaniment). Choral. Octavo. Standard notation. 5 pages. Duration 1 minute, 30 sSATB a cappella, octavo, choral Charles Ives, → A Christmas Carol
A Tree of Song
A Tree of Song for SSAA unaccompanied A bright and breezy piece with a charming text by Charles Bennett, A Tree of Song begins with a jaunty 7/8 figure which recurs throughout the piece, with the melody floating above. Alternation between passages of 4/4 and 7/8 gives a lively offbeat feel, with the piece only […]